RAF Acklington

RAF Acklington
RAF Acklington

I’ve been working part time for the north east charity Junction 42 since 2018. For the last few years, I’ve been based in HMP Northumberland which was once the site for RAF Acklington. Every year there is a nationwide creative arts competition called Koestler which is open for prisoners around the UK.

When the themed category “Wings” was announced for Koestler 2025 it became immediately obvious to launch a classroom-based project that recognised that HMP Northumberland was originally RAF Acklington. At the beginning of World War 2 it was the most important fighter base in north-east England. RAF Acklington’s Spitfires and Hurricanes were soon in action against German bombers.
A visit to Tate Modern after the Koestler exhibition in Novemebr 2024 to see Roy Lichtenstein’s “WHAAM!” gave further inspiration to run the project. Lichtenstein was a pioneer of the Pop Art Movement. In the 1950’s he created his first cartoon strip style paintings.
“WHAAM!” explores power, violence and the role of media in society. It’s one of his most iconic works, because of its portrayal of a dramatic ariel combat scene, directly lifted from a strip in a 1962 Comics publication.
RAF Acklington WHAAM!
WHAAM!

World war 2

Using the book by Malcolm Fife about RAF Acklington, different accounts of World War 2 ariel combats have been depicted through short text and by using images from Commando Comic book illustrations.

Discussions have taken place with the prisoners about the realities of war, violence and the effects it had on the pilot’s mental health. The men have been able to explore different ways of re-creating the comic book style imagery to portray the horrors of war.
The work featured in the blog post is a development of their preliminary black and white pen and ink drawings to more finished flat colour acrylic illustrations. It’s an ongoing project in the prison classrooms and on the wings that will lead to Wall Art that recognises those who laid down their lives for freedom that we now enjoy.
RAF Acklington Prisoners work
HMP Northumberland Prisoners Work

Hawker Hurricane

As the prisoners were working on this project, I decided to paint my own interpretation of one of the scenes.

This acrylic painting depicts an aerial combat scene from February 1940, when Flight Lieutenant Peter Townsend from RAF Acklington flying a Hawker Hurricane attacked a German Heinkel bomber during World War II over the North Sea. This event was notable because it was one of the first confirmed RAF aerial victories on British soil during the early months of the war, known as the “Phoney War” (a period of relative inactivity before the Blitz and the Battle of Britain).

I’ve been inspired by some of the black and white pen and ink Commando Comic Book illustrations except I’ve added colour to the conflict.

Above, the Heinkel bomber flies across the golden sky. Thick, dark smoke trails behind it, showing it has been hit and is going down. In the artwork, Townsend’s Hawker Hurricane dominates the foreground, rendered in sharp, dynamic lines and bold camouflage patterns of brown, green, and sky blue.

The plane banks steeply, its propeller blurred with motion, capturing the intensity of the dogfight. Billowing clouds accentuate the drama, while the gold background gives the scene both an icon-like reverence and a sense of timeless heroism. In the past I’ve used 22 carat gold leaf to paint on which I’ve used on oil paintings like Buckingham Palace from Green Park. This time I decided to use liquid metal gold.

The style blends wartime poster art with the Pop Art comic book sharpness of Lichtenstein’s WHAAM! Flat fields of bold colour are contrasted with carefully inked hatching, giving the painting both immediacy and graphic power.

Flight Lieutenant Peter Townsend (1914–1995) was a Royal Air Force fighter pilot during World War II. In Commando Book style, I’ve added in a quote from Flt Lt Peter Townsend to the artwork as he recalled the conflict:

“As the fuselage disappeared, followed by a trail of fluttering debris. Only at that moment did I realise what I had done to the men inside. I felt utterly nauseated”.

The original acrylic painting can be seen at my Studio & Gallery in Ponteland. It’s been painted on a 32″ x 24″ canvas board.

This post is available on my Latest News at alanreed.com

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