Before embalming on the finished painting, I did an A5 study of one of the figures I planned to place in the painting, a rather portly gentleman sheltering under an umbrella. To make sure the painting was going to work, I then did an A4 watercolour on hand made paper with a deckled edge which I used to refer to for colour and composition.
You will notice of the photograph of what’s on my drawing board, a book on Adolphe Valette, a French Impressionist who lived in Manchester for several years and is best known as L.S. Lowry’s tutor. I went to see some of his stunning paintings at the Manchester Art Gallery which I have to say were a real inspiration. The moody, foggy scenes that Valette painted helped me to decide the palate which I ended up using which involved a greater use of Lamp Black than usual.
The small painting of the large man sold almost straight away when on display at the Buy Art Fair and a few weeks later I sold the large studio watercolour to a customer in Manchester which is also available as a limited edition print. The A4 original watercolour study, however is available online.